Across Oceans ~ collaborations in contemporary arts

Home

Maxine Heppner

About Maxine

Current Workshops-Classes

Notes on Choreography

Projects

Collaborations

What the Critics Say

Acknowledgements

Across Oceans

About Across Oceans

Call for Proposals

Shows

Choreographic Marathon

AtHome Festivals

Writings on Collaboration

Research

Supported By

Join our Mailing List

Donations

Contact Us

AtHOME project and festivals

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Marie Josee Chartier
 
Rebecca Todd, Tina Park, Corrin Adams
Joanna da Souza, M-Do
one2one gallery, R.W. Stevenson, bob stevenson, Hanafi, Maxine Heppner
Grindl Kuchirka
Grant Strate
Oliver Schoerer, Oliver Shoerer
Blake Parker
Claude Smith artist
"Tran Quang Hai"
"The Sun's Drum"
film (music to see) Richard Reeves
"Claude Smith" artist
John Sharpley, Substation Singpore Arts Guest
Ellen Band, Audible visions
Janet Jackson, Music Gallery
 
 
 
Exploring the art of collaboration
   Where do we meet?   How do we work?   What do we create?


About Across Oceans   Writings on Collaboration Research Support Contribute

The AtHOME festival project ran from 2001 - 2003.
Over 200 artists and the general public interacted through open studios, exhibitions, performances, screenings, symposia, discussions and forums to consider what the word "collaboration" actually means for art-making and people making art.

Our main Question?
How does work actually get done across disciplines, generations, cultures and, ultimately, between people?

Participants represented arts creation in Canada, USA, Finland, Sweden, France, Netherlands, Greece, VietNam, Indonesia, Singapore, Venezuela, Mexico, India.

Festival themes were:
2001: Dance in the arts: the arts in dance
2002: Music is a physical art
2003: Spontaneous creation



 


WHAT WE DID

Festival Schedules 2001-02-03

2001 AtHOME Festival
May 28 - June 17, 2001
Produced by Across Oceans Hosted by York University Faculty of Fine Arts

THEME: Dance in the arts: the arts in dance

Artists-in-residence
Kaeja d’Dance Co.(contemporary dance) with Edgardo Moreno (music)
co-produced with Holmgang (visual art )and Jyri Suominen (lighting)
Joanna Das (Kathak dance) and Blake Parker (spoken word)
Grindl Kuchirka (clown), Oliver Schorer (music), Charlie (dog clown)
Hanafi (visual art), R.W.Stevenson (music), Maxine Heppner (dance, interdisciplinary),
Jessica Runge (contemporary dance)
Elizabeth Langley (mentor of training participants)

Weekly schedule
Daily physical training led by Elizabeth Langley 9:30-10:30
Workshops with artists-in-residence 10:30–12, 2-4
daily studios/rehearsals for observation of actual process
lunchtime and happy hour discussions 1-2, 4-5
evening performances/exhibits

WORKSHOP THEMES (2 sessions each)
Contact, interact, create: Kaeja d’Dance company
Lighting as rhythm, time and form Jyri Suonimen
Rhythm in Kathak: Joanna Das
Music with sticks and bones: Edgardo Moreno
Body in Language: Blake Parker
Characterization: Grindl Kuchirka
Colour in Space: Hanafi
Performance energy is a cyclic path: Maxine Heppner
Making music from the inside : R.W. Stevenson
Integrating Information Elizabeth Langley

DISCUSSION THEMES
Creation in intense environments guest Grant Strate
Collaborative natures MC Maxine Heppner
Elements across disciplines general
Movement in all the arts general
Collaborating across species (demo) Grindl Kuchirka and Charlie the Dog
Collaborating with administration guest Linda Clouette-McKay
Demonstrations/discussion of each artist group’s research

PERFORMANCES AND EXHIBITIONS
Exhibition of Holmgang visual art (Sweden) Joe Green Foyer
Pre-premiere “Resistance” Kaeja d’Dance Joe Green Theatre
“Small Midnight” Moonhorse Dance Theatre
works by Claudia Moore, Ted Robinson Artword Theatre
Toronto Tabla Ensemble music duMaurier Theatre Harbourfront
ArrayMusic Young Composers’ Concert The Music Gallery
One2One Gallery exhibit of Hanafi’s paintings and performance:
Padmonojati: Javanese mask dance and “Study for Distance”: Stevenson, Runge, Heppner
“Older and Reckless” dances by Holly Small, Danny Grossman, Maxine Heppner, Viv Moore Claudia Moore Dancemakers Theatre

SYMPOSIA Collaborations as global ecology
Art away from Home
How do we work and understand each other
KEYNOTE GUESTS:
Rachel Cooper, Asia Society , New York City,
Kay Flavell, New Pacific Studios Pacific Rim


2002 AtHOME Festival
April 18-28, 2002
Produced by Across Oceans Hosted by The Music Gallery Toronto Canada

THEME: Music is a physical art

Artists-in-Residence
Tran Quang Hai (music)
Garnett Willis (music, sound installations)
John Sharpley (music)
Claude Smith (visual arts)
Blake Parker (spoken word, writer)
Maxine Heppner (movement, interdisciplinary art)
Mark Trautman, Maryse Castets (music, opera)
Canon Cook (interdisciplinary)
Motria Sabat, Christos Giotis (videography)

Guest Speakers
Andrew Timar (music : European and S.E Asian)
Vivine Scarlett (African dance)

WORKSHOPS
Sing like an Angel: Tran Quang Hai (two-tone and overtone singing)
Inuit Drum, Dance and Song: Tracy and Lynda Brown, Siqiniup Qilauta (The Sun’s Drum)
Preparing from inside out Maxine Heppner (cycles in time, movement, sound) (daily
movement, drawing, sound) with Jess Runge, Louis Laberge Cote, Claude Smith
Sound in Colour : Claude Smith (visual art)
Master Class: Mark Trautmann, Maryse Castets
Mysterious movements of sound waves: Garnett Willis
Rap and Rhyme: Blake Parker (spoken word) York University Fiine Arts
Music, Dance and Music and drawing? together? all artists-in-residence York U Fine Arts
Master Class: Ellen Band (finding, composing, embodying music)
Musical, physical and back again: John Sharpley (piano)

PERFORMANCES AND EXHIBITIONS
Let Harp and Colour Move: Garnet Willis Clusterflux installation The Music Gallery
Claude Smith (paint), John Sharpley (piano), Wiryawan Padmonojati (gamelan)
Radio in the Dark: Christian Calon, Chantal Dumas (sound recordings) The Music Gallery
Music to See co-curated with Vicky Chainey Gagnon and Loop collective (film/video): films by Richard Reeves, Norman Maclaren, Evelyn Lambart, Dwinell Grant,Garine Tarossian, Humphrey Jennings, Len Lye, Isabella Pruska-Oldenhof, Stan Brakhage The Music Gallery
Secret Songs Tran Quang Hai (two-tone and overtone song) The Music Gallery
Tapestry New Opera: Opera to Go: Isabelle Bader Theatre
Marie Josee Chartier choreographs Dancemakers Premier Dance Theatre Harbourfront
Ellen Band Ensemble (music & performance) The Music Gallery
The Unknown Songs of Erik Satie: Janet Jackson (vocals) Eve Egoyan (piano) The Music Gallery
Duets for Dance and Piano: John Sharpley (piano) Maxine Heppner (dance)
Blake Parker (poetry) The Music Gallery
Crème de la Crème: Soup of the Day dance and sound improvisations with Jessica Runge, Julia Sasso,
Karen Kaeja, Sallie Lyons, Maxine Heppner The Music Gallery

FORUMS
Elders, Mentors, and Young Upstarts: dialogue across generations discussing the role of
elders and mentors in new creations group The Music Gallery
Geography, experience and art-making: Is there an East and West in Art? Where do
North and South divide? And other questions of location and art. group Indigo Café
Operatic voice evolving through time and place: Mark Trautmann l’Alliance Francais
Opera Zone CIUT Radio: discussion road music with Christian Callon (electronic music)


2003 AtHOME Festival
May 12 – 31, 2003
Produced by Across Oceans
in cooperation with Kaeja d’Dance and The Distillery Jazz Festival Toronto Canada

THEME: Spontaneous Creation

Artists-in-Residence
Susan Lee, Jessica Runge, Louis Laberge-Cote, Maxine Heppner,
Sallie Lyons, Karen Kaeja, Allen Kaeja (dance)
St. Elementary Dirt Band (music)
Sonora New Music Ensemble (music)
Motria Sabat (visuals)


WORKSHOPS at Dancemakers studio
Each of 7 days is led by one movement artist, introducing approach and ways used for improvisation and improvisational choreography
collaborative development of performance scores
development and tests of performance scores with music ensembles
Improvise and remember


DISCUSSIONS at Dancemakers studio, Transac Club, Distillery District rehearsal hall
Difference between improvisation and improvisational choreography
Known dance, known music reconstructed into something…new?
When music leads how does dance follow?
When dance leads can music support without defining content?
Constructing without locking

PERFORMANCES May 23, 30, 31
dance/music live performance The Distillery Jazz Festival
including live videography and writing


POST-PRODUCTION
editing of documentation of workshops, discussions and performance collaborations