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Rage Page

 
About 'My heart is a spoon"
 

The young #1 has so much energy she doesn't know what to do with it and Manga is the explosive world that can contain her. The older #2 experienced rage in his life, but at a time when sublimation and positive construction were the only allowed outlets for the pent-up feelings. Each is a mirror of the other and just as rage must find its release, so #1 discovers the world is made of beautiful halftones and layers and #2 finds his long-awaited release.

 

My Heart is a spoon explores how a girl and a man find outlets to express their deep energies: in anger or humour, destructively, constructively, or passively. It is inspired by the bold aesthetic and energy of the black and white world of Manga cartooning and by Manga’s direct historical development and connection to traditional printmaking.  (Originally Japanese, Manga is modern storytelling based in traditional legends and mythologies. It is now ubiquitous and popular with millions internationally.)

 

This project stems from 2 sources. First is my fascination and delight in the pure energy contained in Manga art and that this form of cartooning has existing since the 1600's to 2012!  The range and freedom of expression is unbelievable and it's no surprise that Manga comics, and their outgrowth in Anime (animated manga) is hugely popular worldwide. Manga stories are of mythological proportions: bigger than big, smaller that small, a chapter full of action in square blocks, then just one person on a white page. Then a black diagonal slash through the person and the story is now told in spirals. This freedom of expression and yet such control led me to the second source for the development of My heart is a spoon: an enquiry into the different ways that societies and people manage extreme and cataclysmic feelings. At one end of the spectrum are societies bursting with emotional expression at every moment, at the other end, those that demand sublimation of emotional energy to channel it through group expression and/or productive actions (industrial, artistic, sportive, etc.). Individuals within a society develop personal survival methods, these methods can be put off-balance in situations of extreme pressure (family, personal, political). Pent-up energy creates a pressure-cooker effect that demands a release of some kind.

 

The stage world includes live dance performance, and virtual media and light.  We are aiming to bridge our digital fantasy world with the actual world of physical performance. And just as these digital worlds are dreamed up by live people, so the piece begins with #1 engulfed by media and resolves with the live performance being the primary source of inter-human interaction.

 

This is the First Incarnation of “My heart is a spoon”. Your essential participation as audience will help determine the shape and details of its next life.


WANT TO KNOW MORE..... leading up to the show


January 7   Language of Dance and the Creative Act

discussion in Psychoanalysis and Art with

Maxine Heppner and Dr. Mavis Himes

including dance with Takako Segawa and En Lai Mah

at Womens Art Association  Sat 9:30-12:30

more info here


January 16   Manga from Edo to Now

discovering the wonderful world of manga art from the 1600's to now

with Carol Dorman  at the Japan Foundation

including dance with Maxine Heppner and Takako Segawa


ON Radio  Jan 7  CIUT at 2pm

              Jan 13 Classical 96 9:30am

ON TV     Jan 16  Rogers  am and pm


LIGHTING for these TIMES

2 workshops  by FUJIMOTO TAKAYUKI

Toronto - Jan 17, 24  UC Drama UofT

St. Catherines  Jan 27, 28  Brock University


THE RAGE PROJECT PAST  &  
look for the FESTIVAL of RAGE  in the FUTURE
.

What is Rage? How have people managed to live through events in their lives that fill them with rage? How is this expressed in their lives? How is it expressed in art?   

PAST
...and talking about RAGE
The RAGE ROUNDTABLE convened at the UC Drama Playhouse at University of Toronto, Nov 27, 2010. 

Guests included people who study Rage from political and sociological viewpoints and people who have experienced it, sharing experiences and viewpoints. 

SPEAKERS included: Psychoanalyst Mavis Himes, Performance Artists Jess Dobkin, Theatre Researcher David Fancy, Choreographer and Community Facilitator Troy Emery Twigg, Political Scientist Shokoufeh Sakhi, Documentary Filmmaker Yuki Nakamura, Gestalt Therapist Fran Khanna, Dance Artist Ida Meftahi, Musician and Arts Writer T.Nikki Cesare-Schtzko, Social Activist Mark Khanna, Playwright and director Jiv Parasram, Political Activist Helen Chilas, 
led by Maxine Heppner and Takako Segawa.


THE RAGE ROUNDTABLE (Nov27 2010) was part of 
RESEARCH ON RAGE AND ART

Thanks to University College Drama at University of Toronto, 
the Canada Council for the Arts and VANA for their assistance.